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The Neuroscience of Art: A Research Program for the Next Decade?

Jean Pierre Changeux

Corresponding Author

Département de Neuroscience, Institut Pasteur

Jean Pierre Changeux, Département de Neuroscience, Institut Pasteur, 28 Rue Docteur Roux, 75015 Paris, France; e‐mail:

changeux@pasteur.fr

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First published: 21 February 2011
Cited by: 3

Abstract

Works of art can be viewed as elements of a human‐specific nonverbal communication system, distinct from language. First, the cognitive abilities and skills required for art creation and perception are built from a cascade of events driven by a “genetic envelope”. Essential for the understanding of artistic creation is its epigenetic variability. Second, artistic contemplation and creation may be tentatively viewed as a discrete and singular conscious synthesis taking place within the personal global neuronal workspace of external perceptions, internal memories and stored emotions. Third, there is a need for rules that constrain and restrict in a top‐down manner the selection of representations generated by the artist's brain. Finally, artistic creation is a part of the personal history of the artist and stems from an anterior historical evolution.

Number of times cited: 3

  • , Enabling Creativity, Applications of Neuroscience, 10.4018/978-1-5225-5478-3.ch006, (100-117), (2018).
  • , Enabling Creativity, Exploring the Benefits of Creativity in Education, Media, and the Arts, 10.4018/978-1-5225-0504-4.ch006, (117-135)
  • , Neuroscience and Education – an Incompatible Relationship, Sociology Compass, 9, 1, (49-61), (2015).