The Neuroscience of Art: A Research Program for the Next Decade?
Abstract
Works of art can be viewed as elements of a human‐specific nonverbal communication system, distinct from language. First, the cognitive abilities and skills required for art creation and perception are built from a cascade of events driven by a “genetic envelope”. Essential for the understanding of artistic creation is its epigenetic variability. Second, artistic contemplation and creation may be tentatively viewed as a discrete and singular conscious synthesis taking place within the personal global neuronal workspace of external perceptions, internal memories and stored emotions. Third, there is a need for rules that constrain and restrict in a top‐down manner the selection of representations generated by the artist's brain. Finally, artistic creation is a part of the personal history of the artist and stems from an anterior historical evolution.
Number of times cited: 3
- Becky Boesch, Enabling Creativity, Applications of Neuroscience, 10.4018/978-1-5225-5478-3.ch006, (100-117), (2018).
- Becky Boesch, Enabling Creativity, Exploring the Benefits of Creativity in Education, Media, and the Arts, 10.4018/978-1-5225-0504-4.ch006, (117-135)
- Alka Sehgal Cuthbert, Neuroscience and Education – an Incompatible Relationship, Sociology Compass, 9, 1, (49-61), (2015).




