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Issue Information – TOC

  • Pages: 217-218
  • First Published: 09 April 2016

In This Issue

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In This Issue

  • Pages: 219-220
  • First Published: 25 February 2016

Research Reviews

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Natural yellow and red Fe‐based geomaterials from the Lessini mountains in Veneto, Italy: A review
  • Pages: 221-225
  • First Published: 02 February 2016
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Yellow pigments based on lead, tin, and antimony: Ancient recipes, synthesis, characterization, and hue choice in artworks
  • Pages: 226-231
  • First Published: 09 January 2016

Research Articles

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Decorative surface finishes: Bronzing, patina‐antiqua, verd‐antique in NY furniture 1810–1830: New York workshops practices 1810–1830

  • Pages: 232-240
  • First Published: 29 February 2016
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The colour of the granite that built the city of São Paulo, Brazil
  • Pages: 241-245
  • First Published: 29 December 2015
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19th c. Coloured stuccos and plasters from Grilos' Church (Oporto, Portugal): Materials and techniques employed
  • Pages: 246-251
  • First Published: 13 February 2016
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José de Escovar at the Chapel of the Souls: Technical and material study of a 1603 panel painting
  • Pages: 252-257
  • First Published: 13 January 2016
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An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders
  • Pages: 258-262
  • First Published: 17 December 2015
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Multi‐analytical approach to the material characterization of 16th century wall paintings from Ribeira Sacra (Galicia, NW Spain): Pictorial palette, technique and alterations
  • Pages: 263-269
  • First Published: 09 January 2016
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Blue pigments in blue and purple painting layers of Gdańsks' paintings of the mid‐16th to the end of the 18th century
  • Pages: 270-275
  • First Published: 19 January 2016
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Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
  • Pages: 276-282
  • First Published: 03 February 2016
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Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece
  • Pages: 283-288
  • First Published: 11 February 2016
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Pre‐hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico
  • Pages: 289-293
  • First Published: 13 January 2016
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Darkening on lead‐based pigments: Microbiological contribution
  • Pages: 294-298
  • First Published: 24 December 2015
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Enzymatic degradation of fungal pigmentation from wall painting’s isolates
  • Pages: 299-301
  • First Published: 23 January 2016
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Material identification of three French medieval illuminations of the XVIth century by hyperspectral imaging (Treasury of Bordeaux Cathedral, France)
  • Pages: 302-307
  • First Published: 27 January 2016
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The use of hyperspectral imaging technique to detect the most suitable graffiti‐cleaning procedure
  • Pages: 308-312
  • First Published: 13 January 2016
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Color‐based automatic detection of worn out varnishes on Stradivari's “Scotland University” violin back plate
  • Pages: 313-316
  • First Published: 29 December 2015
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Preliminary investigation of various old geomaterials treated with hydrophobic pellicle
  • Pages: 317-320
  • First Published: 08 February 2016
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Noninvasive in situ study of pigments in artworks by means of VIS, IRFC image analysis, and X‐ray fluorescence spectrometry
  • Pages: 321-324
  • First Published: 13 February 2016
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A new online tool to detect color misconceptions
  • Pages: 325-329
  • First Published: 06 January 2016
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Development of hyperrealistic simulations to teach concepts about colors
  • Pages: 330-332
  • First Published: 09 December 2015